Spanish artist Fernando Vicente's artography (2) revisits this fusion of the descriptive and the symbolic, but expands the concept to its literal conclusion. Superimposing human and animal forms onto the countries and continents of a map, Vicente transforms familiar geographic contours into surprising new constructs. Maps become living creatures - although some ostensibly formerly living ones - and many of which have an ominous, unnerving quality. Maybe that's because of Vicente's predilection for slicing open his subjects, their exposed anatomy/geography investing them with the same morbid quality evident in Bodyworlds, the famous travelling exhibition of plastinated and dissected human bodies.
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