Saturday, November 01, 2014

Where Is The Vein?

The Australian Red Cross Blood Service is conducting research on a new technology that will make donating blood less painful. The portable device beams a near-infrared light at the arm and deoxygenated haemoglobin in the veins absorbs the infrared light, creating an image of the veins. I'm surprised no one thought of this before now.



More here

Gaza Artist Displays Paintings In Bombed Home

Gaza-based painter Raed Issa’s home was one of many destroyed during this summer’s intensive Israeli attack on Gaza but he has found a way for his paintings to convey a message through the destruction. Issa displays the paintings in the ruins, hanging them on lines strung through his wrecked home and studio, and holding them up himself amid the chaos.



Photo: Raed Issa


Issa's Facebook GalleryVia The Electronic Intifada

Friday, October 31, 2014

Block of Wood Transformed Into a Japanese Kokeshi Doll

Yasuo Okazaki learned the craft of making traditional "Naruko" style wooden Kokeshi dolls from his father. Ten different styles of figurines were originally made as souvenirs to sell to people visiting the local hot springs in Northern Japan.

鳴子系こけし/こけしの岡仁 from dmp on Vimeo.

Via Colossal

Wednesday, October 29, 2014

If Real Life Came With IKEA Instructions

Life would be so much easier if everyone read the same manual.







Illustrations by James Chapman
More: Buzzfeed

Syracuse’s Transylvania Twist — The Best Halloween Song You Never Heard

In 1963 Syracuse television station WNYS asked local audio tape genius Mike Riposo to write and record a pop-flavored jingle — a la The Monster Mash — for the station’s first-ever breakout star, Baron Daemon. Daemon's show was a horror series built around WNYS’ recent acquisition of a package of syndicated films that included some American International B-level horror flicks.

Riposo hired local group Sam and The Twisters to sing the song and the Bigtree Sisters to back them up. The problem was the girls, who were Mohawk Indians by birth, had never sung rock and roll before in their lives.


The youngest sister, Sandy, was so little she had to stand on a box to get up to mic level.

(My friend Thomasina passed this story along to me and she tells me that the Bigtree sisters were a big deal in Syracuse and Sandra became a rock and roll singer with her own band and worked in theatre in NYC and was a positive influence on young people during the turbulent 60s)




The Transylvania Twist became a local smash hit and the largest-selling local record in Syracuse history and still rises from the dead once a year to kick the Monster Mash’s ass.

Read the story of the recording session here


SURFING @ 1000 FRAMES PER SECOND

This video by Australia-based award winning cinematographer Chris Bryan is absolutely gorgeous.

SURFING @ 1000 FRAMES PER SECOND from Chris Bryan on Vimeo.

Via

Tuesday, October 28, 2014

A Life-Size Melting Wax House



"A pound of flesh for 50p"is a sculpture by artist Alex Chinneck. It is a two-storey house built of 8000 wax bricks that was designed to melt over 30 days. the  piece celebrates the history of an old candle-making factory situated in the area for a few hundred years.



More: HUH.



I have posted Chinneck's work in the past (here and here)

Pop-Up Cocktail Menu

I love this 3-D pop-up menu that paper engineer Helen Friel designed and constructed for the Art Deco Beaufort Bar at London’s Savoy Hotel. Turning the pages reveals an example of each cocktail offered at the bar.





Via Foodiggity.com

Diptych Timelapse Of Paris and NYC

This time-lapse by filmmaker Franck Matellini shows the similarities that defy the 3,363 miles separating Paris and New York City, using the objects and architecture that define both destinations.

Paris / New York from MATEL on Vimeo.

Link
Via

The Big-Eyed Children

I remember the paintings of the children with the huge sad eyes that were ubiquitous in the 1960s. Walter Keane was feted for his sentimental portraits that sold by the million. But in fact, his wife Margaret was the artist, working in virtual slavery to maintain his success. She tells her story, now the subject of a Tim Burton biopic. It's fascinating.

Margaret and Walter pose with a selection of paintings in 1965.
Photograph: Bill Ray/The LIFE Picture Collection/Gett

Read Jon Ronson's story: The Guardian