Abigail Walthausen explores the life and work of Arthur Heming, the Canadian painter who — having been diagnosed with colourblindness as a child — worked for most of his life in a distinctive pallete of black, yellow, and white. Unlike the Group of Seven, who wanted to claim the Canadian wilderness as a symbol for Canadian patriotism by erasing all life there, keeping it a blank canvas, Heming wanted to claim that idealized land by making both landscape and life decorative — in a sense, by preserving it in black and white.
More: The Public Domain Review
Thanks Bruce!
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