A Radical View: Avant-Garde British Printmaking 1914-1964 is a retrospective of early modern British printmaking. The works include examples of linocuts, lithographs, etchings and woodcuts which demonstrate the variety, originality and technical expertise that define much of twentieth century British printmaking and mark a notable shift in style and technique from earlier modes of representation.
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| Claude Flight, Speed (1922) linocut |
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| Cyril Power, The Tube Station (1932) linocut |
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| Eric Ravilious, Submarines – The Engine Room (1940) |
Another exhibition I must see while I'm in London.
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